$50,000 Kairos Prize Screenwriting Competition -- Dec. 1 Deadline
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A blog for screenwriters and screenwriting and writing scripts for movies, you know, screenplays.
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"Abuse is often of service. There is nothing so dangerous to an author as silence."
– Samuel Johnson
Become part of a welcoming environment where serious filmmakers get support and advice from both their peers and Pavaline's Team of experienced industry professionals. Participate in online forums, blogs, private consultations and webinars all specifically focused on filmmaking and
script polishing.
With our open door submission policy, script coverage and script competitions, each member has a distinct opportunity to develop great material that will be part of the Pavaline Studios production slate.
Register at our Expo booth or through:
InkTip.com is the only Website in the world where three scripts are sold or optioned, or writers are hired every week. From the scripts/writers found on InkTip.com, at least 70 films have been produced! For example, AmberGreen Entertainment recently completed production on a script by an InkTip scribe, with Vivica A. Fox starring, and Rich Newey recently directed I Tried, starring world-famous rap group Bone Thugs-N-Harmony, and written by an InkTip scribe.
For more info, please see our produced features page at http://www.inktip.com/prod.php
Producers use InkTip.com because it's easy, convenient, free to industry professionals and available 24/7. InkTip.com's doors are open to name actors, directors, producers and representatives and their services are free for industry professionals who register. InkTip.com's unrivaled, searchable database of scripts will help you easily find the sellable script you need
To see how easy it is to find exactly what you are looking for, take a look at their sample search and result pages:
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InkTip.com makes it easy to find your next great screenplay or writer. Register now at InkTip.com.

"Every screenwriter's dream is to have their screenplay produced. Our aim is to fulfil that dream" – Arif Hussein
For years writers have been asking Kaos Films to run a feature screenplay competition.
The wait is finally over!
Kaos Films, the founder of the internationally celebrated British Short Screenplay Competition (BSSC) is inviting writers from across the world to enter the -
British Feature Screenplay Competition (BFSC)
With the biggest prize of any screenwriting competition ever!
The winning Screenplay will go into production with a budget of up to US$ 2million.
"This is not a development scheme, the winning screenplay will be produced." says Arif Hussein.
The final deadline is 14 November 2008.
For more competition details, click here.
early deadline is January 5th
Why should you submit your script to Scriptapalooza?
-Grand Prize: $10,000
-2 writers got their scripts made into movies by LifeTime Network in 2007
-All the reading is done by 90 production companies
-Entertainment Weekly Magazine calls us 'One of the Best'
-We promote the winners, runners-up, finalists and semifinalists for a full year
-We are considered one of the best screenplay competitions by agents, managers and producers
-Supported by the Writers Guild of America west
-Supported by the Writers Guild of Canada
About Scriptapalooza:
The Scriptapalooza Screenwriting Competition, was founded in 1998, and has generated heat, publicity and a reputation that demands respect. Scriptapalooza, Inc., along with its various divisions was created to nurture talent and create opportunities. Storytellers come from all over the world and from all walks of life, because of the simple fact that everyone has a story. Scriptapalooza's goal: to seek out that storyteller and honor their script with a grand prize of $10,000. Each year dozens of production companies and literary representatives sign on as participants to read our winners, resulting in many scripts being optioned, sold or outright bought.
Questions? Comments? call the office 323.654.5809
or email us at info@scriptapalooza.com
UPCOMING FESTIVALS & CALL FOR ENTRIES
Bold visions. Lovingly crafted. Cutting-edge. Artistically inspired. These are the kinds of films sought for the 47TH ANN ARBOR FILM FESTIVAL, the longest-running showcase of independent, experimental and artistically-inspired films in North America. All lengths and genres accepted and considered: Experimental, animation, documentary, narrative and combinations in between.For more information on advertising in MovieMaker's FLASH e-newsletter, contact Ian Bage at 800/677-4424 or ian@moviemaker.com.
New York City
Part of Take A Meeting Weekend
Friday November 7, 2008, 9am-4pm
Microsoft Center (midtown)
New York City
Meetings easily go off the rails: Poorly conceived or rehearsed pitches; An incomplete understanding of the business; Unprepared answers, badly organized body of work, or a lack of understanding of how your unique script fits into the larger industry are just a few of the culprits.
Whether preparing for Final Draft's exciting Take A Meeting weekend or simply the demands of the entertainment industry, join us for our Business of Screenwriting seminar and gain a new understanding for strategically pitching, positioning and promoting yourself and your screenplay effectively.
Sign up through Screenwriter s Utopia using coupon code SEMINARUTOPIA and receive a 10% Discount on the $125 admission price.
The day-long seminar, which will lead directly into Take A Meeting, will include lectures and discussions on the following tops:
* Pitch Practice Session - hone your pitch before you Take A Meeting
* Meeting basics & techniques: How to take charge of your meeting from start to end
* First Impressions: Understanding perceptions and prejudice, and milking your for all its worth
* Understanding the entertainment universe: How to navigate the industry's tough realities and harsh truths to make the most of what you're offering
* Defining the writer: What sort of screenwriting career is right for you?
* Screenplay marketing: Establishing the brand, promoting the product
Seminar attendees will receive:
* Access to day-long seminar, including extensive pitch practice session
* 1-year of Script Magazine (a $24.95 value)
* 1-year project posting on The Spec Market (a $49.99 value)
* 3-Month Free Trial for Filmtracker.com (a $149.97 value)
Sign up through this email, and receive a 10% Discount on the $125 admission price:
* General Admission, $125
* Screenwriter s Utopia Admission, $112.50
To SIGN UP at the reduced fee, go to: (http://scriptshark.com/seminar_NY.cfm)
http://scriptshark.com/seminar_NY.cfm and enter coupon code SEMINARUTOPIA at shopping cart.
For more information visit www.scriptshark.com (http://www.scriptshark.com),
www.finaldraft.com (http://www.finaldraft.com), email scriptshark@blssi.com
(mailto:scriptshark@blssi.com), or call (310) 482-3434.
Calling All Indie Filmmakers! Why wait for the perfect distribution deal? Through CREATESPACE, part of the Amazon group of companies, you can distribute your film on-demand in DVD and video download on Amazon.com and other channels—no setup fees and no inventory needed! To get started, create your free CreateSpace account, send in your video content via DVD or tape and start making your film available on-demand to millions of people.
FILM EDUCATION & WORKSHOPS
Established in 1929, ACADEMY OF ART UNIVERSITY, the nation's largest accredited private art and design university, offers degrees and continuing art education courses in 13 majors, available online or in San Francisco. Motion Pictures & Television courses include: Acting, Cinematography, Directing, Editing, Producing, Production Design, Screenwriting and Special Effects. Students learn advanced techniques on cutting-edge equipment providing them the skills they need to obtain positions at top companies like Warner Bros. or LucasFilm. Find out more at http://www.academyart.edu and check for an Open House in your area. RSVP to 800/544-2787.
CENTER FOR DIGITAL IMAGING ARTS—Learn the latest in Digital Filmmaking at the Center for Digital Imaging Arts at Boston University. Full- and part-time certificate programs at their campuses in Waltham, MA and Washington, DC. Financial assistance and career services available. For more information call 800/808-CDIA or visit http://www.cdiabu.com.
FULL SAIL's bachelor's and associate's degrees for creative minds include Computer Animation, Digital Arts & Design, Entertainment Business, Film, Game Development, Recording Arts and Show Production & Touring. Regardless of which program you choose, one of Full Sail's fundamental goals is to encourage the union of art and technology. Full Sail's Film Degree Program covers the entire filmmaking experience, as students work united by their love of movies. Over the course of the program, the experienced, professional staff instructs students on how to execute every position on a film production—from director, cinematographer and producer to key grip, set dresser and electrician. The whole time, students use these newfound skills to actually create films. For more information visit http://www.fullsail.com.
THE INTERNATIONAL FILM SCHOOL SYDNEY (IFSS) boasts a faculty of top-level film professionals and rising industry stars. Focusing on developing versatile individuals, it offers a professional, practical, creative and in-depth approach to filmmaking with students being given the option of shooting on either RED ONE HD or Super 16mm. IFSS allows students to make six to eight films of their own authorship with no hidden production costs, and features certificate programs in Screenwriting, Directing and Producing as well as groundbreaking courses in Cinematography, Sound and Editing. Go to http://www.ifss.edu.au to find out more or apply.
The Digital Film and Video Arts Program from MEDIATECH INSTITUTE is a total immersion program, taking students from the basics through advanced aspects of all types of modern visual media production. Students receive hands-on experience in every step of the process. Graduates go after positions at production or post-production facilities working in corporate, television and film productions. Entrepreneurial students gain the skills to produce and pitch their own shows and films. The Recording Arts Program has a sharp focus on audio engineering, uses the same hands-on approach and utilizes professional studios. These graduates find employment in recording studios, broadcast stations and live music venues. Info: http://www.mediatechinstitute.com.
NEW YORK FILM ACADEMY offers intensive hands-on filmmaking, acting, animation, producing, screenwriting, editing and digital filmmaking programs. One year, two year Conservatory, Bachelor's, Master's of Fine Art and short-term programs and workshops available. No film school can match the Academy's bi-coastal campuses in the heart of New York City and on the backlot of Universal Studios in Hollywood, as well as their many international locations including the U.K., China, Italy, UAE, France and Spain. Call them at 212/674-4300 or e-mail film@nyfa.com. Info: http://www.nyfa.com.
One of the most important aspects of any film is sound. At THE SCHOOL OF SOUND, students will "explore the creative art of sound and music with the moving image." Guest lecturers include major Hollywood and European practitioners. Located in London, the school offers a variety of programs, from a three-week summer workshop to a four-day series of master classes. The School of Sound, London, U.K. +44 (0)20 7724 6616 http://www.schoolofsound.co.uk
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| Creative Screenwriting Magazine | 6404 Hollywood Boulevard | Suite 415 | Los Angeles | CA | 90028 |
Subscribe to MovieMaker—For Just $1 Per Issue!
As a friend of Scriptapalooza, you've proven you've got what it takes to make it as a screenwriter. Now it's time to go behind the scenes with the world's most celebrated directors, actors, producers and screenwriters, with a subscription to MovieMaker Magazine.
You are a person who knows what you like, and MovieMaker respects that. You've got your favorite flicks, choice screenwriters and preferred performers, and we'd like to suggest adding another "favorite" to your list by making MovieMaker your favorite source for the latest trends in the industry and technology, exclusive interviews, advice and tips on breaking into the biz, film festival information and much more!
For a limited time, friends of Scriptapalooza are invited to take advantage of a very special offer: One year of MovieMaker at the unheard of price of just $6.00* (more than 85% off the newsstand rate—just $1 per issue).
This offer won't last long, so sign up today at https://www.moviemaker.com/subscribe/scriptapalooza_oct08 to begin receiving a full year of news and notable interviews from MovieMaker Magazine.
There's never been a better time—or price—to see what we're all about!
*Additional shipping and handling applies to non-U.S. Orders
Contents:
(1) Script Pimp 2009 Screenwriting Competition – Now Accepting Entries
(2) Ask the Script Pimp Expert – What Does "On-the-nose" Dialogue Mean?
(3) "The Living Wake" in NYC – Screening
(4) Cinestory Contest – Earlybird Deadline November 16th
(5) Box Office Report – November
(6) Script Pimp Success Stories
(7) Recent Feedback - Script Pimp Writers Workshop / 2008 Competition
(8) Script Pimp in the News
(9) Consultations with Senior Story Analyst
(10) Technical Edits on Scripts and Novels
(11) Script Pimp Production: Rogues Gallery
(12) Workshop & Writers Database Info
(13) Circus of Joy Show – Hollywood Improv
(14) Miscellaneous - Top Websites for Screenwriters
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(1) Script Pimp 2009 Screenwriting Competition – Now Accepting Entries
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The 2009 Script Pimp Screenwriting Competition is now accepting entries. Deadline: May 1st, 2009. All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well.
The '08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with MORE prizes possible for anyone who enters.
For more info, visit: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
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(2) Ask the Script Pimp Expert – What Does "On-the-nose" Dialogue Mean?
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Professional or beginner, at some point, everyone is going to find themselves having just written a scene that's on-the-nose.
What does it mean? Essentially, it's when a character is speaking precisely how they're feeling or thinking, without room for the reader/audience to fill in the blanks when it comes to a particular character's emotions, thoughts, and so forth.
Why is this bad? Well, for one, picture the scene playing out on-screen: what's more interesting, leaving subtlety to a conversation, or having two people explain everything for us? For the vast majority of audiences, the latter of those two options can be uninteresting, dull, cliché, sappy, and a host of other negative results. Not to mention the fact it doesn't give proper justice to the complexity of your characters.
So for instance, compare these two lines of dialogue:
MARCUS: "Because it's not totally about you, it's about me and my own problems. I love you. I'm just really upset because you cheated on me with my best friend, Dave, when I was at work, so I need to move out."
Or. . . .
MARCUS: "I left a key for you. . . I figure Dave can use the back door, like usual."
The second option gives away the same amount of information (e.g. he cares enough to leave a key for her, is still bitter about the affair, etc.), but with greater nuance. Though it's out of context, you can get an idea of what to stay away from when writing dialogue, especially in an emotionally-charged scene.
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(3) "The Living Wake" in NYC – Screening
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Script Pimp's first production company credit, The Living Wake will be showing in New York City on November 19th, 7:30 p.m. at Tribeca Cinemas. Tickets will go on sale on the film festival website, www.bigapplefilmfestival.com , on November 1 and can be purchased online through November 14. After November 14, tickets will only be available for purchase at the box office 1 hour prior the start of the program (cash only at the box office).
Also, please check out our website for any further information about the film! www.thelivingwake.com
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(4) Cinestory Contest – Earlybird Deadline November 16th
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Each year, CineStory runs a screenwriting competition like no other. It's unique because each of the semifinalists are invited to the CineStory Writer's Retreat—four days of heaven in the beautiful mountains of Idyllwild, California.
Whether winner, finalist, or semifinalist, all retreat attendees get four 90-minute one-on-one sessions with CineStory mentors and staff, all of whom are practicing and respected industry professionals. During these meetings, attendees can discuss everything from the script(s) they submitted for feedback to jumpstarting their writing careers. When not meeting in one-on-one sessions, writers participate in mentor moderated "informal rooms", which cover everything from pitching like a pro to the state of filmmaking in the digital age. In addition, mentors and writers gather for meals, drinks, film screenings, and other special events.
Earlybird Deadline: November 16th, 2008 ($40)
Grand Prize: Winner(s) receives $2000, free entry to CineStory Retreat (valued at $1500), and two mentors for ONE YEAR.
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(5) Box Office Report – October 31st – November 2nd
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Porno and a High School musical make for an interesting top two at the box office to start November. The Zac Efron/ensemble cast pic made an impressive 1st place showing, with the comedy "Zack and Miri Make a Porno" coming in #2. Two horrors rounded out the top five, thanks in part to Halloween, along with the Jolie drama "Changeling" in fifth.
The Top Ten*
(domestic totals in parentheses, with the number of weeks in theaters as of November 3rd)
1. High School Musical 3 ($62,034,083) - Week #2
2. Zack and Miri Make a Porno ($10,065,630) - Week #1
3. Saw V ($45,469,066) - Week #2
4. Changeling ($10,031,122) - Week #2
5. The Haunting of Molly Hartley ($5,423,315) - Week #1
6. Beverly Hills Chihuahua ($84,177,645) - Week #5
7. The Secret Life of Bees ($25,297,621) - Week #3
8. Max Payne ($35,538,365) - Week #3
9. Eagle Eye ($92,616,665) - Week #6
10. Pride & Glory ($11,719,094) - Week #2
*ranked by top weekend box office films from October 31st-November 2nd
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(6) Script Pimp Success Stories – 2008 Competition
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With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents. The top 20 scripts have sparked interest from managers, agents, and production companies worldwide, and the finalist writers are all moving forward with getting their winning projects into the marketplace.
Most recent update. . . .
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
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(7) Recent Feedback - Script Pimp's Writers Workshop / 2008 Competition
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Script Pimp's Writers Workshop is continuing to see a surge in submissions, and with that, loads of positive feedback. As always, thanks to all the writers who sent in their comments.
Recent quotes:
"I shall only wish I had found you guys sooner. The notes are superior in every respect. I will be busy now. Many thank yous. Moreover, I found your customer service excellent, please thank Matt Misetich for me." – Douglas L. (11/2)"
"Had a consultation with (my consultant) on Sunday. He is exceptional. After speaking with him, I'm recharged on the project and filled with lots of new ideas." – Larry S. (10/10)
"Thanks for the notes—complimentary, but incisive and very helpful. Exactly what I was hoping for, in fact, I'll definitely be doing a re-write based on the notes. Thanks again to whoever did the notes. Much appreciated!" – Simon R. (10/8)
"Thanks for the notes. Again, simply fantastic feedback, no word wasted. I got development notes from you before, and they were right on. Thanks so much, also in regards to the production constraints you beautifully weaved that into the review." – Elke Weiss (10/6)
And some responses from our 2009 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
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(8) Script Pimp in the News
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View all Script Pimp Press:
http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's "Rogue's Gallery":
http://www.hollywoodreporter.com/hr/content_display/news/e3if7b717939831cbe299581383a70dea5a
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire:
http://www.scriptpimp.com/news/home.cfm
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(9) Consultations with Senior Story Analyst
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*One-On-One Phone Consultation with Senior Story Analyst:
http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible.
Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish.
Our analyst will read the script twice before the meeting and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
The cost is $550 for Script Pimp Writers Database members, and $650 for non-members. If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
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(10) Technical Edits on Scripts and Novels
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Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
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(11) Script Pimp Production: Rogues Gallery
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Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety, The Hollywood Reporter, and Creative Screenwriting:
http://www.hollywoodreporter.com/hr/content_display/news/e3if7b717939831cbe299581383a70dea5a
http://www.variety.com/article/VR1117989592.html?categoryid=13&cs=1
http://www.creativescreenwriting.com/csweekly/trenches/082908_Rogues.html
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(12) Workshop & Writers Database Info
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*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
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(13) Circus of Joy Show – Hollywood Improv
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All Script Pimp newsletters subscribers are invited to the Free Guest List for:
CIRCUS OF JOY – Thursday, November 6th, 10pm
FREE GUEST LIST: tickets@scriptpimp.com
COMICS:
Patrick Keane (emcee)
Brian Farrell
Matt Braunger
Kevin Shea
Erin Foley
Kyle Kinane
Eddie Pepitione
Henry Phillips
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
For more info go to Improv.com, then click "Hollywood" on the left.
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(14) Miscellaneous - Top Websites for Screenwriters
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Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope
http://www.zoetrope.com/
Screenwriters Federation of America
http://www.screenwritersfederation.org/phpBB2/
Shooting People
http://www.shootingpeople.org
TriggerStreet
http://www.triggerstreet.com/gyrobase/index
BLOG SITES: John August http://johnaugust.com/
Artful Writer http://artfulwriter.com/
RECENT SCRIPT SALES ~ Done Deal
http://www.scriptsales.com/
Script Copier - "Best Copier in LA"
http://www.ScriptCopier.com
FREE SCREENPLAYS ONLINE ~ Script Pimp, IScriptDB, Simply Scripts
http://www.scriptpimp.com/show_me/free_screenplays/ http://www.iscriptdb.com/
http://www.simplyscripts.com
SCREENPLAY CONTESTS ~ Movie Bytes, Script Pimp:
http://www.moviebytes.com/ http://www.scriptpimp.com/show_me/contests/
SCREENPLAYS TO BUY ~ Script Pimp
http://www.scriptpimp.com/show_me/screenplays/
SCREENPLAY REVIEWS ~ Screenwriters Utopia
http://www.screenwritersutopia.com/modules.php?name=Content&pa=list_pages_categories&cid=2
SCREENPLAY CONSULTANTS ~ Script Pimp
http://www.scriptpimp.com/show_me/script_consultants/
http://directory.google.com/Top/Arts/Writers_Resources/Screenwriting/Script_Consulting/
SCREENWRITER INTERVIEWS ~ Screenwriters Utopia
http://www.screenwritersutopia.com/modules.php?name=Content&pa=list_pages_categories&cid=1
SCREENWRITING BOOKS ~ Script Pimp, Writers Store http://www.scriptpimp.com/show_me/screenwriting_books/ http://www.writersstore.com/products.php?cPath=129
SCREENWRITING RESOURCES ~ Script Pimp, Google
http://www.scriptpimp.com/show_me/resources_and_reference/
SCREENWRITING SOFTWARE ~ Final Draft, Write Brothers, More
http://www.finaldraft.com/
http://www.screenplay.com/
http://plotbot.com/
http://www.scriptassist.com/
SCREENWRITING MAGAZINES ~ Script Pimp
http://www.scriptpimp.com/show_me/magazines_and_papers/
SCREENWRITING SUPPLIES ~ Writers Store, ScreenStyle
http://www.writersstore.com/products.php?cPath=130
http://www.screenstyle.com/
OSCAR SCRIBES ~ Script Pimp
http://www.scriptpimp.com/show_me/oscars/
POSTING SCRIPTS ONLINE ~ InkTip, Script Shark
http://www.inktip.com/
http://www.scriptshark.com/specmarket.cfm
SCREENWRITING HOW-TO ~ Screenwriting.info
http://www.screenwriting.info/
FREE SCREENWRITING EDUCATION ~ Script Fly
http://www.scriptfly.com/
Sincerely,
Chadwick Clough
Script P.I.M.P., LLC
8033 W. Sunset Blvd. #3000
Hollywood, CA 90046
info@scriptpimp.com
www.scriptpimp.com
310-401-1155