|
Long action narratives can be cumbersome to read in screenplays, and might even deflect the reader
in Hollywood from reading them at all. One formatting option, particularly in a scene where an
intricate series of action is required--a gunfight, for example--is to bullet the key actions and
events. EXAMPLE:
In this way a highly-involved action scene can be represented simply and cleanly, to the great relief of the reader.
Richard WalterThe above guidelines come directly from Richard Walter, Professor and Co-Chairman of the screenwriting department at UCLA. For more of his guidance see . .
![]() There are no rules in Hollywood!
|
| | critiques | feedback | send | del.icio.us | index | next | |