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The most powerful stories operate on more than one level. They allude to another story or myth,
indirectly referencing something biblical, classical, mythological, epic, poetic, musical, et
cetera, to engage the conscious and subconscious mind at once, making the story bigger than it
is by itself, making it universal in fact. Analogy, allegory, and conceit can also be used to the
same purpose.
al-lu-sion
- An instance of indirect reference: an allusion to classical mythology in a poem.
- A figurative or symbolical reference.
a-nal-o-gy
- A resemblance of relations; an agreement or likeness between things in some circumstances or
effects, when the things are otherwise entirely different.
- A figurative or symbolical reference.
al-le-go-ry
- The representation of abstract ideas or principles by characters, figures, or events in
narrative, dramatic, or pictorial form.
- A story, picture, or play employing such representation. John Bunyan's The
Pilgrim's Progress and Herman Melville's Moby-Dick
or, The Whale are allegories.
- A symbolic representation: The blindfolded figure with scales is an allegory of
justice.
- A figurative sentence or discourse, in which the principal subject is described by another
subject resembling it in its properties and circumstances. The real subject is thus kept out of
view, and we are left to collect the intentions of the writer or speaker by the resemblance of the
secondary to the primary subject.
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Starting with a great story--classical, biblical, mythological, Shakespearean, etc.--gives you a
time-tested foundation for your movie. Consciously or subconsciously it will more powerfully
engage your readers and audience. Besides being easier to sell, it gives you an opportunity to
read the books you knew you should be
reading anyway in order to become a great writer.
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